Showing posts with label George Glasgow. Show all posts
Showing posts with label George Glasgow. Show all posts

2:31 AM

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Bespoke shoes at Cleverley: Part 2

In the first part of this series, I described the measuring process for having a first pair of bespoke shoes made at GJ Cleverley. The second step, though of course it takes place in the same session, is deciding which material and model of shoe you would like.

Unless a client wants something very extraordinary, the design options are presented around the racks of Cleverley’s ready-to-wear and semi-bespoke shoes. Everything from a whole cut to a toe cap to a wing tip (not to mention casual, monk or derby), with every fraction of brogue in between. Here a quarter brogue is a toe cap with brogueing on almost every seam, but no medallion on the toe. A medallion makes it a half brogue and a wing-tip into a full brogue.

Clients of George Glasgow’s at Cleverley have even requested one or two thistles to be brogued onto the heel of the shoe in the past, in order to make it more individual. But that’s a lot of holes in one shoe.

Most important in designing a brogue is to keep the patterns balanced. Don’t insist on broguing on the vamp and the counters, perhaps with a thistle, yet nothing across the toe.

I already knew I was going with a deep-brown shoe, as I wear that colour more than black and I want these shoes to be as adaptable as possible. My other pair of dark-brown shoes are half brogues, so this design will be cleaner.

I asked Mr Glasgow if he could think of any combination of lines, medallions and brogued seams that have never been commissioned before. (These are bespoke shoes after all.) He looked through the window briefly, as if running each permutation through his head. Then said no.

In the end I went for a clean toe and one brogued seam, running below the laces and finishing at the welt just in the middle of the waist. As you would have on a brogue, but without any decoration at toe or heel. It was the same design as a Cleverley balmoral on display, except with the seam pulled down half way. I’ve never been a fan of balmoral shoes (boots are a different story) – the horizontal line lacks movement to my eye.

Next, the choice of leather. Two bunches “of the brown family” were brought out, including kudu (as a general terrm for deer), hogskin and crocodile, as well as calf in a variety of grains. There were two dark browns, one of them cordovan. While I’ve never had cordovan shoes, Mr Glasgow was against the choice, suggesting that ungrained cordovan can look a little plastic and believing its thickness was more suited to country shoes.

On to soles. How thick do I want the sole? I have no idea – just like I had no idea how long the rise was on my trousers until I had bespoke suits made. Here having models on display is crucial. I pointed and George nodded.

The size of the welt? It can be cut very tight against the upper, leave a little room or be wide enough that it is invisible from a top-view, visible elsewhere. I went for the latter. Apparently people also vary the size of the welt around the shoe, with some preferring it to jut out slightly more at the toe – perhaps to give an impression of length. I skipped that.

Then finally there is the lining. Cleverley has quite a selection of different colours and this strikes me as a nice way to make a bespoke shoe your own, while keeping the outside conservative. I’ve never been a fan of bright suit linings, but then no one will see the inside of your shoes. Except your wife and the airport security guard.

The most popular lining options are red on a black shoe and racing green on a brown. The book was elsewhere so I’ll decide at a later stage. But bright yellow looks good in my head…

Next: the making of the last

3:03 AM

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Bespoke shoes at Cleverley: Part 1

cleverley-measure1

“The time has come, the walrus said,
To talk of many things.
Of shoes and ships and sealing wax,
Of cabbages and kings.”

No plans yet to write about cabbages. But it is certainly time to talk about bespoke shoes. I set an appointment last week to go see George Glasgow at GJ Cleverley to be measured for my first pair. Rather as I did previously with suiting, expect a series of posts here on every stage of the process.

There’s something rather charming about being measured for shoes. At Cleverley the first stage is to stand on two facing pages of a book, so that your feet can be traced onto the paper. It feels rather odd standing on a book to begin with, but doing so in your socks in The Royal Arcade, while a man such as Mr Glasgow runs a pencil around your toes, is even more peculiar. Still, here stood stars of stage and screen alike – not to mention royalty.

When the shoemaker is tracing your foot the key is to keep the pencil upright. The smallest change in angle will mean a millimetre difference on the last, which can be the difference between comfort and pain.

cleverley-measure2

He will also sweep around your instep, with the pencil at 45 degrees, in order to indicate the height of your arches. Looking back through the Cleverley measuring book, there is a substantial difference here between men. Some, like myself, have almost an inch in difference between the outline and the inside of the arch. (“Healthy and strong,” Mr Glasgow called it. He’s such a tease.) Others have merely a few millimetres. They will require greater support inside the shoe, and the waist will not be able to cut in quite as far underneath.

The length of your foot is also measured. At Cleverley this is done with a wooden rule dating back to 1928. It still looks in pretty good shape – no doubt due to the substantial brass fittings at the joint. While this length is a good guide for the shape of your last, it will always be made 1½ sizes longer than the measurement, to allow for your big toe rolling forward as you put your weight on the ball of your foot.

(As an aside, this difference is only one size on a slip-on shoe. It has no natural mechanism to tighten onto your foot, unless the model includes elastic at the sides, so the fit has to be tighter.)

Next the circumference of various points is measured. First your joints – between the base of your big and little toe. Then just behind the joints, to give an indication of how quickly the foot narrows. Next around your instep – roughly where the top of the laces would be. And finally from that same point on the top of the foot to the back of your heel.

cleverley-measure3

The thing that struck me as these measurements were being taken was their consistentcy. At each point my right foot was 10-and-something inches, while my left was usually 9-and-something. Height just replaces width as you move towards the back of the foot.

It also put into numbers what I already knew, that my right foot is almost a half size smaller than my left, but significantly wider. While the first is very common, the latter together with a narrow heel makes me a good candidate for bespoke.

Finally, Mr Glasgow ran his hands over my ashamedly hot (not to say sweaty) feet. He was looking for any bumps or peculiarities, such as hammer toes, swollen joints (most common on the big and little toes) and spur bones around the heel.

Many of these are caused by men wearing ill-fitting shoes for much of their lives – or shoes that have not properly been worn in or maintained. Mr Glasgow found no such oddities, most likely because I am too young for my feet to have distorted much.

As a final point, some shoemakers insist on measuring a man’s feet at a particular point in the day. Your feet grow in size notably as you walk on them and keep them encased. Cleverley does not consider this significant, not even noting the time the measurements were taken. For Mr Glasgow the natural give of the leather is sufficient to cope with the daily fluctuation.

Next: styles and designs